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Corner College. 20. Curatorial Reading Group. Curatorial Reading Group. Session 1. The Curatorial Reading Group is a monthly reading session, aimed at enhancing our creativities in curatorial approaches through a continuous series of discussions. Spaces in fiction – Constructs of Reality by Annee Gr. We will write you back with a copy of the book, and warmly recommend you to read it before the session. Aesthetic Agency and the Practices of Autonomy. Part 1: Critique de l. The studio might be a space where a certain degree of autonomy can be detected. The exhibition/project expresses how productivity in art depends on the relation between the artist. Teen boy gay twink ass filled with cum full length ethan slides. Alice naked resident evil. Torrent download magnet watch online torrent russian. Two horrible crimes were committed by junta in May. That changed the whole situation to the worse. See Odessa Massacre of May 2, 2014 and Mariupol killings. Find something interesting to watch in seconds. 2017, in their first year. The band did not release a record with Evil Empire. Global Research Editor’s. The following full length documentary produced by Ukrainian opposition activists. The Associated Press quoted one resident. The studio is part of the productive flow of relations, subjectivities, institutions, places, materials, techniques. At the same time it is in the grammar of autonomy, aesthetics and politics. There are many possible places and non- places of the studio, but it can still be put mainly in two orbits, as an independent space of a solitude where the artwork is produced, and a more open idea of the studio, where the artwork is performed by artist- labor. Rhyming Dictionary, By Merriam-Webster - Ebook download as PDF File (.pdf), Text File (.txt) or read book online. Merriam-Webster's Dictionary of Rhyming. It is often a shared space, a space of collaboration that engages with the performative domain of the aesthetics and politics of art production and its economic and social reality. Following psychoanalytic practices, the project Part I: Critique de l. To what extent can the studio support the autonomy of the artist? Giorgio Agamben attributes to the Situationists an . At the same time, they will remain . In this way the project looks at how a return to critique and autonomy practices can perpetuate an emancipatory politics in art. They can be used as a model for an exit from the . Autonomy practices, aesthetic immanent critique and politics invent new living forms and socio- economic relations outside of capital, like generic commons, undercommons, etc. Work is here used not necessarily to designate an art object. The working environment of the studio can be seen from many angles. At the same time, it remains a place where (un)productive forces play disalienated forms of labor in the work and life of the artists. The artist remains a free laborer who betrays the labor- power and slows down, or accelerates a virtuoso productivity. How can they sustain their working environment relying on income from their artistic labor and art- work. Often, they inhabit the studio mostly in the time in- between several other jobs, while the studio is transformed and adapted to multitasked functions driven by project- oriented work, digitalization and internet. The productive process is automated between two applications for grants, in a diversity of institutional commands by e- mail and research work mostly based on Google searches. Being an artist is a day- to- day job of professional occupation, and at the same time a form of life that can scatter into a new sociality. Although the artist precariat is potentially revolutionary and resistive, Hito Steyerl describes the instrumental precarization in the third stage of institutional critique that leads merely to . Aesthetic Agency and the Practices of Autonomy. The operations of Moral and Politics, Aesthetics and Immanent Critique, invite a re- thinking in the sense of the moral fight (Nietzsche), as Gilles Deleuze puts it in his essay about Foucault: . All form is a combination of all forces, a mix of human and non- human in the process of individuation. This precarious man- form is the extra- human ethical being of politics. Indeed, in Deleuze and Guattari. Practice does not come after the emplacement of the terms and their relations, but actively participates in the drawing of the lines; it confronts the same dangers and the same variations as the emplacement does. Autonomy is distinct from knowledge. As an intensification of power it regroups and redistributes. Despite this, the term of Autonomy has become increasingly derided in art and criticised as egotistical or even attributed to the hegemonic western ideology of the individual, as a result of the connection between the autonomy of art and the autonomy of the artist, and the equalization of both to aesthetic autonomy. Aesthetic experience as a practice of philosophy has never been necessarily attached to the field of art and the artwork, and has mutated to the concepts of aesthetics of existence and of life as a work of art (in Foucault. Art is resistance, too. These new subjectivities are precarious minor social formations, and to the extent that the artist is part of the precariat in the informal economy, they practice aesthetic autonomy, too. Peter Osborne writes that . Video still. For centuries, the studio has been perceived not only in its pragmatic function as a workshop or thought laboratorium but to a much larger extent as a place in which the premises of individual artistic identity can be fathomed. Series of 3. 6 photographs. Studio of Rosen/Wojnar, Berlin 2. In At Work (Cuckoo) la. The L- Word - No mas metales ist jedoch auch eine filmische Reflexion . Photo: Maria Pomiansky. Courtesy the artist. What is the role of the painter's atelier in contemporary art practice? The archaic features are mixed with the needs of today's life. A painter 's atelier is one of the last bastions of non- computer activities. It can be interpreted as a manifestation of humanity. It is a collection of eleven selected essays deriving from academic research that explores historical dimensions of graphic design in Switzerland – from producing it, to archiving and exhibiting it. A presentation of the book will be followed by a number of talks by contributors and sponsors on why they did support / contribute. The evening will end with a toast on the publication. He has previously been teacher and researcher at SUPSI University of Applied Sciences and Arts of Southern Switzerland. At the HKB Bern University of the Arts, he is head of the MA Communication Design, researcher at the Department of R+D Communication Design, and professor of design history. Posted by Corner College Collective. Buchvernissage. Jennifer Bennett: SAVEJennifer Bennett. Jennifer Bennett stellt ihr Buch SAVE vor, welches im September im Textem Verlag Hamburg erschienen ist. Auf einer Reise werden unterschiedliche Protagonistinnen und Protagonisten gesucht und gefunden, um sie zu den Themen Selbstorganisation, Rebellion, Netzwerke, Territorium, Nation, Staatsangeh. Es wird darin exemplarisch, welche Rolle Einzelne in der Gesellschaft und im eigenen Umfeld annehmen, und ist auch eine ganz pers. Es zeigt sich, dass bei geplanten Grossprojekten 1. Stimmen, die sich dagegen auflehnen, nicht ber. Kurzfristige Profite stehen . Die Frage, die sich stellt, ist das wirklich in unserem Sinn oder werden uns Bed? Sind wir so resigniert, dass wir den Kopf noch tiefer in den Sand stecken oder m? Like pirate radios, p. In resonance with Cora Piantoni's exhibition Buon Lavoro! Prose of The Day – Poetic Resistance at Corner College, in this talk the p. Focusing on proximities and correspondences between artistic processes, factory culture, and alternative radio strategies, context will be given to Gianfranco Baruchello, Gruppo N, Maria Lai, Olivetti and Italsider. Prose of The Day – Poetic Resistance. Es sind alles Kultobjekte, Symbole unserer indistrualisierten Gesellschaft. Aber wie alle mythologische Phantasmen neigen auch diese Dinge dazu sich wieder in Luftblasen aufzul. Efferveszenz, schreibt Capron, ist eine Frechheit, sie verk. Auf poetisch- satirische Weise untersucht Capron unseren Glauben in den technischen Fortschritt, sie l. Das Horoskop der Hypermonster ist eine Galerie von zw. Und die Fragmente der Installation Generation umkreist die Frage, was aus dem Sein im Zeitalter seiner technischen Reproduzierbarkeit wird. Ein Aufruf, sich auf die Menschlichkeit mit all ihren Facetten zu besinnen. Sie studierte Philosophie an der Sorbonne. Heute unterrichtet sie Franz. Sie arbeitet an Projekten im Bereich plastischer Literatur und ist Mitglied des Autorenkollektivs Index, des Ad. S und der SSA. Die Illustratorin Marianne Smolska kommt urspr. Sie arbeitet im Bereich der Illustration, Grafik und Gestaltung an verschiedenen Projekten f. Eine Veranstaltungsreihe des Corner College. A series of events by Corner College. Her films and videos explore how individuals forge their identities and shield their memories in the shadow of larger group dynamics and the socio- political systems in which they are cast, using personal narrative — its gaps and elisions, its specificity and opacity — to reveal how meaning is constructed, projected, protected, and perhaps deconstructed. Detaching the spoken narrative from the subjects. Within this space we can consider the nature of memory, the power of words, and the significance of all that remains unsaid. She received several awards including Swiss Art Award (2. Kiefer Hablitzel Foundation Award (2. Grant from Zurich City (2. Manorkunstpreis Basel (2. Paris (2. 00. 9) and New York (2. The artist installs a three- days open laboratory at Corner College, which will end in a public talk and discussion. Namazi shows new work made during his residency in Zurich that utilises the Internet, installation and video formats. In his talk he presents his new experiments and talks about his research and practice in general. A series of web pages have been created to map out a selection of these encounters. Through these online networks, linkages and locations - sound recordings, image editing and HTML programming are used to spatialize and demonstrate the physical and off- line reality on the virtual and online environment. Posted by Corner College Collective. Buchvernissage. Matin. Gedankenphotographien des Mediums Ted Serios. Romeo Gr. Brimacombe, Getty Pictures Archive. Aus Anlass des 1. Todestages von Ted Serios pr. Der Bildband widmet sich mit Ted Serios. Herausgeber des Bandes ist der Hamburger Filmemacher und Regisseur Romeo Gr. Nach der Auftaktveranstaltung im Metropolis Kino Hamburg wird der Forschungszusammenhang am 2. November zur Matinee um 1. What do you guys think? ALeq. M5jl. LE3. JHCPYe. SFDT1. VHCr. Basically, since M1. Colt and the congresscritters Colt lobbied. I don't have the link to the article handy, but it's on many sites, so it shouldn't be too hard to find. The article was written by the Marine officer who was the original whistleblower on the issues with M1. I believe. If anyone has that link handy, please, post it. PMThis is where the 6. Grendel would shine. Yet the 6. 5 Grendel weighs way less than the . So you can carry far more rounds into battle with similar ballistics to the . It can also be used in the AR/M1. M4 platform without extensive modifications to the rifle unlike the . IMHO, they should be sending our troops into the mountains of Afghanistan with 1. They told me horror stories about them popping guys with many rounds and they would continue to fight or just run away. When you are fighting guys who are trying to blow you up you want to stop them ASAP before they get close enough. The old theory of wounding one man to take 3 soldiers out of the fight to care for him is all out the window when every fighter there is prepared to die. True we civi's have better ammo more suited for taking down humans but the military can't use SP or HP or 7. That being the case I say give them what ever the hell they want. If they tell me a 3. I say get them a freaking 3. Good article. The 7. Black Hills round has been proven to be a solid performer to 7. The cost of recalibrating optics & some training would be far less than issuing a different rifle or caliber. Bizcuits. 05- 2. 1- 2. PMWhy not just do M1. Then you have the 2. C7. A2. jpgbasalt. PMIf going from 3. Would those cartridges have trouble feeding reliable in an autoloader? EDIT: Just saw the barrel length comment. I guess they are all going to suffer if the barrels are less than 1. Bug Splat. 05- 2. PMIf going from 3. Would those cartridges have trouble feeding reliable in a semi/auto? I agree either a 6mm or 6. AR- 1. 0 would be great! Rob. 45. 40. 5- 2. PMWouldnt it be easier to just put 2. OR change to 2. 0 inch barrels and design somethign to make the rifle into a bull pup style rifle? That woudl be the better way to go. K1. LLROI0. 5- 2. PMBring back the Garand! I read an article that stated the sharpshooters are being assigned Garands from Vietnam. I forget where I read that article. Either one of the new gun magazines. If going from 3. 08 to some kind of 6mm variant due to better ballistics and reduced recoil works for matches, why not the military? Would those cartridges have trouble feeding reliable in an autoloader? EDIT: Just saw the barrel length comment. I guess they are all going to suffer if the barrels are less than 1. The considerations are somewhat different. For example, just because a round can punch through paper at 8. Then you have the 2. C7. A2. jpg. I agree with a 2. The 7. 7gr Black Hills round has been proven to be a solid performer to 7. The cost of recalibrating optics & some training would be far less than issuing a different rifle or caliber.+1 The MK2. Omega. 13device. 05- 2. PMThe issue is too complex to be covered properly in an article like this. No firearm is going to be perfect for every situation. It is an excellent paper which effectively looks into historical and technical issues of the use of the rifle and has no doubt been influencing military thinking above and below the Major's paygrade since it has been written. However, that being said there is a big difference between a thesis and an actual large scale Army study sanctioned by the Army that collects first hand data data. While he does state that we do need more range, he does not condemn the platform, and . The press fail to recognize that Ehrharts other recommendations, i. Probably because they are less sexy. PMthis is what our retarded military gets for trying to design a gun and ammunition that is . The issue is less about the cartridge or platform and should be more focused on velocity and shot placement. Joe. 78. 80. 5- 2. PMIf you ask ALL US soldiers and Marines who've been in Afghanistan if they'd ever actually SEEN a Taliban fighter long enough to take an aimed shot, I'd bet 9. It doesn't matter if you've got a Ruger 1. M8. 2, if you never even get a chance to fight Teri Taliban. Issue them all with 1. It doesn't matter if you've got a Ruger 1. M8. 2, if you never even get a chance to fight Teri Taliban. Eh? Super Spy. 05- 2. PMLet's all chip and buy a bunch of Mosin's and send 'em on over... K3. 1's... those things WILL really reach out and touch someone.. PMThe considerations are somewhat different. For example, just because a round can punch through paper at 8. Have some guys with CQB gear and some guys with medium range or long range gear. The Taliban do it that way why can't the US military? I don't mean 3 guys with M1. I mean 4. 0% with 6. Full. Metal. Jacket. PM^Omega. 13 is right; no rifle can be optimal for all tasks. The M4 is very clearly a weapon for urban environments: easy to manuver in tight quarters, get in and out of vehicles, etc. And, in an urban environment, a 5. But in open country, where the ranges increase, the M4 is far from optimal. I think the services may need TWO standard rifles: the M4 for urban/short range environments, and a heavier long distance hitter for open environments. In the interests of not having more small arms calibers than necessary,the heavy should be a 7. Why not issue a mix of different weapons and calibers during a patrol. Have some guys with CQB gear and some guys with medium range or long range gear. The Taliban do it that way why can't the US military? I don't mean 3 guys with M1. I mean 4. 0% with 6. We're going back to square 1 ? That's what they issued the M1. I agree, but there is no doubt they carry significantly more energy down range, are very accurate, and pack a punch with reduced recoil (over the 7. Nato). Didn't say that wasn't the case. I was mostly referring to the 5. Maddog. 51. 50. 05- 2. PMIf you ask ALL US soldiers and Marines who've been in Afghanistan if they'd ever actually SEEN a Taliban fighter long enough to take an aimed shot, I'd bet 9. It doesn't matter if you've got a Ruger 1. M8. 2, if you never even get a chance to fight Teri Taliban. LOL. Thats an excellent point. How many shoot outs does LEO have where he unloads on the guy, swears he hit every time but didnt? Its hard to say what exactly you hit at 3. I personally dont want to get shot with ANYTHING, i dont care how anemic a new article or the interwebz tells me it is. PMI think the ideal solution is to up the number of Designated Marksman Rifles (ideally the SASS) available to each unit, train an adequate number out of each company to be DM's, and issue out the rifles as the mission dictates. The vast majority of small arms combat still occurs within 3. A battle rifle is not ideal at short- mid range, that is why the M1. Some environments and areas will tend to require a larger percentage of longer shots, but that doesn't mean every single troop needs a SASS. One DM per squad (1. Soviets did with the Dragunov in order to make up for the limited range of the Kalashnikov. If the operational environment dictates, issue more DM's. Flexibility is nice. I also wonder about the validity of the claim that Afghan militiamen are consistently scoring hits at 8. Enfields. It is a fairly exceptional marksman who can pull that off with a modern service rifle in a trained military- -let alone a peasant militia with 6. Stag Schwag. 05- 2. PMLonger barrels and bigger bullets. PMi guess its not about weaponry. I read an article that stated the sharpshooters are being assigned Garands from Vietnam. I forget where I read that article. Either one of the new gun magazines. Not Garands. I'm pretty sure you meant to say the M- 1. Vietnam and is a magazine- fed . It's also the basis of the Designated Marksman Rifle or M- 2. The 7. 7gr Black Hills round has been proven to be a solid performer to 7. The cost of recalibrating optics & some training would be far less than issuing a different rifle or caliber.+1. Other than having to drench the bolt in clp, I'm fine with a 1. I've used the SCAR, but its too bulky. Give me a 4. 16 and I'll be happy. Any contact past 4. Squid. 05- 2. 1- 2. PMA good solution might be to equip everyone with a $2. K XM2. 5.. http: //upload. XM- 2. 5. Interesting enough to look at the sections on equipment and doctrines. If the whole 7. 6 page document isn't for you, http: //defensetech. PMA good solution might be to equip everyone with a $2. K XM2. 5.. http: //upload. XM- 2. 5. They should issue M1. M2. 1s, real M1. 4s. PMWhy not issue a mix of different weapons and calibers during a patrol. Have some guys with CQB gear and some guys with medium range or long range gear. The Taliban do it that way why can't the US military? I don't mean 3 guys with M1. I mean 4. 0% with 6. Yup, Just like WW2. M1 Garands, Thompson 4. Cant just have 1 rifle for everything. A couple interesting quotes about this article from a different site. The land and terrain are killing our men, not technology. Think about it, most of these guys are running through these hills in sandals, not Oakley tactical boots, spraying AKs and not suppressed M4s, and other long guns like sniper rifles, the SR- 2. We have the best weapons in the world and we're losing the war based on our mens' fitness for the environment. 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